Screen 2.4: Voice Calibration
Prototype
Does the captured output actually sound like Aaron?
A/B Testing: Side-by-Side Compare
Aaron is quality checking. Show captured vs known samples. Let him tune. Critical: If output doesn't sound like him, trust erodes.
A: Side-by-side reviewB: Quick A/B picksC: Slider controls
Journey Phase: Cautious Exploration (Phase 2) โข Aaron's State: Quality checking โข Success Signal: "That actually sounds like me."
๐๏ธ
Does this sound like you?
I've been capturing how you talk. Let's make sure I'm getting it right.
Design Process
What you said:
โThe thick marker thing is about commitment. A fine-point pen lets you noodle around forever. A fat marker? You've got to make a decision.โ
How Lex captured it:
โI use thick markers because they force commitment. You can't be precious with a fat marker โ every stroke counts. It's about making decisions, not decorating.โ
Version A Design Notes:
- Side-by-side comparison โ original vs captured
- Three options: approve, reject, or tweak
- Sequential through all samples
- Pros: Comprehensive calibration
- Cons: Can feel tedious
Version A
Detailed comparison โ approve, reject, or tweak each.
Risk: Tedious
Version B
Quick binary choices โ faster calibration.
Risk: Less precise
Version C
Direct slider control โ maximum user agency.
Risk: Overwhelming