Screen 2.4: Voice Calibration

Prototype

Does the captured output actually sound like Aaron?

A/B Testing: Side-by-Side Compare

Aaron is quality checking. Show captured vs known samples. Let him tune. Critical: If output doesn't sound like him, trust erodes.

A: Side-by-side reviewB: Quick A/B picksC: Slider controls
Journey Phase: Cautious Exploration (Phase 2) โ€ข Aaron's State: Quality checking โ€ข Success Signal: "That actually sounds like me."
๐ŸŽš๏ธ

Does this sound like you?

I've been capturing how you talk. Let's make sure I'm getting it right.

Design Process

What you said:

โ€œThe thick marker thing is about commitment. A fine-point pen lets you noodle around forever. A fat marker? You've got to make a decision.โ€

How Lex captured it:

โ€œI use thick markers because they force commitment. You can't be precious with a fat marker โ€” every stroke counts. It's about making decisions, not decorating.โ€

Version A Design Notes:

  • Side-by-side comparison โ€” original vs captured
  • Three options: approve, reject, or tweak
  • Sequential through all samples
  • Pros: Comprehensive calibration
  • Cons: Can feel tedious

Version A

Detailed comparison โ€” approve, reject, or tweak each.

Risk: Tedious

Version B

Quick binary choices โ€” faster calibration.

Risk: Less precise

Version C

Direct slider control โ€” maximum user agency.

Risk: Overwhelming